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More significantly, they reflect the father's desire for privacy and discretion, as well as the social ethos of the time. Passages that were unflattering toward his wife, that dealt too frankly with Anne's sexuality, or were otherwise considered unimportant were omitted. In this first, highly acclaimed edition, Anne comes across as far more even-tempered and gentle than in the most recent unedited version With the inclusion of formerly deleted passages, Anne is more complex, lively, self-reproaching, and biting. Comparing these versions, one can see how Otto Frank molded Anne's voice to fit into his idealized, paternal image of her.

While his revisions may have been well-intentioned, they ultimately kept part of Anne hidden. Inevitably, people and events described in a diary are introduced to us through the biased perspective of the writer. From reported speech and described actions, we may be able to glean the personalities and motivations of secondary characters, but our understanding of them within the context of the diary is always limited and shaped by the narrator. In her diary, Anne describes the most intimate details of the other seven members of the Annex, yet we never come to know them as complex individuals.

At times, they seem to be mere caricatures of qualities Anne either emulates or despises: Margot, ever-patient and selfless; Otto, compassionate and understanding; Mrs. Recent biographies and documentaries have sought to give a voice to—and bring out of hiding—those Annex members who suffered the "fury of her pen. Of the latter, we only see the "old-fashioned disciplinarian and preacher of unbearably long sermons on manners. Nor do we learn that he had a son, approximately Anne's age, whom he had put on a children's transport train to London in so that he would survive the war in safety with an uncle.

In Jon Blair's documentary film Anne Frank Remembered , Pfeffer's son conveys the bitter imprint Anne's diary has left on his life. Whereas Otto Frank became an icon of the perfect, caring father for generations of young girls, his father, with whom he had lost contact after the outbreak of the war, was harshly and unfairly portrayed. In the pages Otto Frank removed because he felt the public did not need to know about his marriage, Anne expresses sympathy and understanding for her mother whose passion for her husband was not reciprocated.

Without this piece of information that explains why Edith Frank may have become "somewhat defensive and unapproachable," we see her only as a source of deep disappointment and frustration for her daughter. Not only does the diary contain silenced or hidden voices within it, one can also observe how for many years Anne Frank stood in for all children during the Holocaust.

Generally speaking, scholarship did not begin to focus on the fate of children until forty years after the war, even though being a Jewish child in Europe meant certain extermination.

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Most of these children survived the war in hiding. Some remained "visible," passing as Christians in convents, monasteries, orphanages, or with foster families. They were forced to live double lives with new names and assumed identities.

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Survival depended upon concealing their emotions, remaining silent, and playing roles. Others remained "invisible" for months, even years, hiding out in attics, woods, barns, and other makeshift places, constantly vulnerable to discovery. Many lost not only their childhood, but also their identity, their families, and their lives.

The prolonged public silence about hidden children may have to do with a general inability or reluctance to reconcile ideas of childhood with war. As countries grappled first with the shocking revelations of the death camps in the immediate postwar period and then tried to put the past behind them in the years of reconstruction, no room was given to the fate of children in public discourse. Anne Frank's story—that is, the one that ends before her deportation to and death in Bergen-Belsen—was the exception. As Laurel Holliday argues in her introduction to an anthology of other children's secret wartime diaries: "Maybe it was as much as we could bear to designate Anne Frank as the representative child and to think, then, only of her when we thought about children in World War Two.

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Anne's life, not her death, became the "human face" of the Holocaust. Her diary functioned as a bearable, collective screen memory that hid the more widespread experiences of children in ghettos and concentration camps, who went hungry in the streets, witnessed their family members die, suffered disease, physical abuse, abandonment and horrendous deaths. Most readers remained unaware of the particular circumstances of Anne's own death. Her body was thrown onto a mass grave. Some argue that the lasting power and relevance of the diary lies in its indirect, modulated approach to the Holocaust.

Even though the terrors of persecution, physical suffering, and death exist only on the margins of the diary, they overshadow and determine our reading of it. Our sense of outrage, loss, and despair is enhanced because we know that Anne's optimism, faith in humanity, and future dreams will be bitterly deceived.

Others argue just the opposite; that the diary's "naive idealism" allows us to ignore the genocide taking place beyond the Annex's walls. Rather than feeling horror, despair, and a radical uprooting of conventional frames of reference, we are able to feel sympathy and sadness for Anne, perhaps even a deep sense of identification, within the safe boundaries of familiar feelings.

Identification with Anne's story has been particularly strong among adolescent girls who feel alienated from their parents while observing their own rapid internal changes with bewilderment and fascination. The diary mirrors their struggle for independence and search for a genuine voice. Nelson Mandela describes how the diary was smuggled into South African prisons during the years of apartheid, giving inmates the will to endure their suffering. Anne has also been an inspiration for writers who recognize and admire in her their own nascent desire to write. These multiple points of identification explain the ongoing, deep impact of the diary, but can also be problematic.

Reading the diary as a classic portrait of adolescence, for example, glosses over the anxieties and all-too-real dangers associated with the particular historical context of the Holocaust. Early Broadway and Hollywood adaptations of the diary demonstrate how Anne's story was transformed into an "infantilized, Americanized, homogenized and sentimentalized" story of general human interest that had little, if anything, to do with Jewish suffering.

Alvin Rosenfeld is troubled by the cultural trend to apply the term "Holocaust" to a wide range of contexts from the AIDS epidemic to the war in Bosnia and is skeptical of those who suggest an affinity with Anne when they speak of her as a "sister" or a "double. How are we still appropriating and molding Anne Frank's voice for our own personal or political ends? Does the Chilean poet Marjorie Agosin fall into this identification trap when—as a Jew, a woman, a writer, and an exile—she recognizes in Anne something of herself?

In Dear Anne Frank: Poems , she sees themselves connected through the reciprocal acts of reading and writing: "I name you and you are alive, Anne, although I died while reading you.

Agosin's family escaped the Holocaust by settling in Chile before she was born and, in her own life, she left Chile to flee the violence of Pinochet's military regime. For her, Anne's abrupt end recalls the fate of thousands of victims in Latin America who were abducted and murdered during the s. Their deaths filter into Agosin's poems in the form of decapitations, mutilations, and rapes that Anne herself did not suffer, but which evoke the horror of Anne's death.

When Agosin writes "the gentlemen of the Gestapo listened to Mozart" and then "descended to ephemeral prison cells to bite into your ears, cut off your delicate breasts, your hands of a little princess, to strip you of your thirteen lived years," she is no longer recalling Anne's story alone, but rather, torture in its essence—be it in the Nazi concentration camps or in Argentinian and Chilean prisons. The radical disjunction between Anne's image and her end is reflected in this juxtaposition between high culture and barbarism, delicacy and brutality.

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In her poetry Agosin initiates an imaginary dialogue with Anne through direct address and questions. She challenges Anne's optimism Did you really believe that all men were good? The questions suggest that, if Anne could speak again, she would be unlike the one so many young girls "carry in their hearts, tucked under their arms, in their illusory gazes. Agosin describes how Anne appears to her "emaciated, transformed, like a demon.

You and I watching each other, without recognizing each other, with history's equivocal gaze, and you tinge with blood the room and windows. In defense of her proclaimed kinship, however, she observes that victims' families try to preserve the humanness of the deceased "by means of remembrance that speak the soul's language, that see from within, that question and exclaim. The present collection of writings has been exploring the real and imagined "secret spaces" children create for themselves in different contexts and for a variety of reasons—from play to outright survival. In Anne Frank's case, finding a hiding place was neither a matter of choice nor a game.

Next to exile, hiding was one of the few alternatives Jews had to escape or postpone death. Examining this most extreme, literal form of hiding in conjunction with its other, more metaphoric meanings yields a nuanced understanding of the external and internal conditions that created the diary. With the inclusion of five new pages into future editions of the diary, yet another part of Anne Frank's emotional and fantasy life will have been brought out of hiding into the public sphere.

Images show the extent of the building work that has taken place at part of the camp where Abdusalem Muhemet was held.

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GMV cannot say what the sites are being used for. But it is clear that over the past few years China has been building a lot of new security facilities, at remarkable and increasing speed. However, in terms of overall surface area of the facilities being built, there is more this year than last. GMV calculates that, from this set of 44 sites alone, the surface area of secure facilities in Xinjiang has expanded by some hectares since This measurement refers to the whole site within the external security walls, not just the buildings.

For context, a hectare site within the city of Los Angeles — containing the Twin Towers Correctional Facility and the Men's Central Jail - holds a combined total of almost 7, prisoners. We took one of GMV's findings - the increase in building size at the facility in Dabancheng - and showed it to a team with long experience in prison design at the Australian-based Guymer Bailey Architects. Using the measurements from the satellite images they calculated that, at an absolute minimum, the facility could provide space for about 11, detainees.

Silivri Prison outside Istanbul, often referred to as Europe's largest, is designed to house 11, Guymer Bailey Architects GBA provided us with this analysis of the possible functions of the various buildings on the site. Their minimum estimate for occupancy at Dabancheng assumes that the detainees are held only in single rooms. If dormitories were used instead then the total capacity at Dabancheng would increase dramatically, GBA suggests, with an outer limit of about , From the available information we can't tell how the interior is configured or what portion of the buildings is used for detention rather than other functions.

Even so, your dormitory estimate of , people seems, sadly, quite possible. We asked the authorities in Xinjiang to confirm what the site at Dabancheng is used for but have received no response. The padlocked door to a house in the city of Kashgar. Some of the secure facilities have not been built from scratch, but are conversions of structures previously used for other purposes, like schools or factories. In the centre of town we stop outside a large group of buildings that used to be Yining Number 3 Middle School.

A high, solid blue steel fence now surrounds the site and there's heavy security on the front gate.

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There's a new watchtower by the playground and another one by what used to be the football pitch. When we try to get out to film at one of the camps, this one surrounded by a grey fence, we're stopped. The officials, with hands over our camera lenses, tell us that there's important military training taking place in the area today and we're instructed to leave.

Outside the former school we see a family, a mother and two children, standing quietly by the fence. In the city of Kashgar, the once bustling, beating heart of Uighur culture, the narrow streets are eerily quiet. Many of the doors are padlocked shut. On one, we see a notice instructing people how to respond to questions about where their family members have gone.

One of them gestures to his mouth, holding his lips together to signal that it's too risky for him to talk to journalists. In the silence we can hear the sound of the slop of the water in the bucket and the swish of the mop, echoing across the square. We leave Kashgar on the highway, heading southwest towards an area dotted with Uighur villages and farms, and a great many suspected camps.

The police officers manning the roadblock tell us that surface of the road has melted in the hot sun. We look for alternative routes, but another roadblock always seems to materialise, although the explanations change. But while the system of profiling and control has been likened by some to Apartheid, clearly that is not entirely accurate.

As in the Cultural Revolution, a society is being told that it needs to be taken apart in order to be saved. Shohrat Zakir, a Uighur and, in theory, the second most powerful politician in the region, suggests the battle has almost been won. Shohrat Zakir is the chairman of Xinjiang province and an ethnic Uighur. And the world has yet to hear from anyone who has spent time in facilities like Dabancheng, the sinister and secretive facility of such immense proportions. Our reporting adds to the evidence that the mass re-education programme is internment by any other name - the locking up of many thousands of Muslims without trial or charge, in fact with no access to any legal process at all.

China's hidden camps What's happened to the vanished Uighurs of Xinjiang? China is accused of locking up hundreds of thousands of Muslims without trial in its western region of Xinjiang. Now a BBC investigation has found important new evidence of the reality. Detention in the desert. One of the images it captured that day just shows a patch of empty, untouched, ashen-grey sand. A massive, highly secure compound had materialised.

It is enclosed with a 2km-long exterior wall punctuated by 16 guard towers.

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  4. While still a few hundred metres away, we see something unexpected. In its place, a huge extension project is taking shape. Our car is stopped - we're told to turn off the cameras and to leave. In remote parts of the world, Google Earth images can take months or years to update. It is here that we find what we are looking for. What we suspected to be a big internment camp, now looks like an enormous one. Before our attempt to visit the site, we'd stopped in the centre of Dabancheng. Instead, we telephoned random numbers in the town.

    China has consistently denied that it is locking up Muslims without trial.

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    8. But a euphemism for the camps has long existed - education. But there are clues. The interviews sound more like confessions. There are more than 10 million Uighurs in Xinjiang. The Uighurs' unique identity makes them a target for suspicion. She met and married a British man, took British citizenship and started a family. She flew back to Xinjiang on 2 June. Having not heard from her, Reyila called to check she'd got home OK. The conversation was brief and terrifying. It was Reyila who appeared to be the target of the investigation. She believes she has been in a camp ever since. The BBC has conducted lengthy interviews with eight Uighurs living overseas.

      After lining up, they were made to run. If you couldn't recite them in the correct way, you'd be beaten. Top Image: Glamis Castle. Dash, Mike. Smithsonian, 10 Feb. Parkinson, Daniel. The Queen's Hidden Cousins. Channel 4, Kerry Sullivan has a Bachelor of Science and Bachelor of Arts and is currently a freelance writer, completing assignments on historical, religious, and political topics. Although Juana had a few episodes of insanity growing up, she totally lost it when her husband, Philip the handsome, died. She kept his coffin with her for years until she was finally imprisoned in Tordesillas castle until her death.

      It happened more than known in that time frame The royals were not known for expanding their gene pool I believe that Elizabeth Bowes-Lyon had a sister who was mentally ill and was locked up all of her life, as the family didn't want it publicly known.


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      Maybe this is just a family trait and seems to have happened on more than one occasion then? Ancient Origins has been quoted by:. By bringing together top experts and authors, this archaeology website explores lost civilizations, examines sacred writings, tours ancient places, investigates ancient discoveries and questions mysterious happenings.

      Our open community is dedicated to digging into the origins of our species on planet earth, and question wherever the discoveries might take us. We seek to retell the story of our beginnings. Skip to main content. References: Dash, Mike. Login or Register in order to comment. Steven Slaton wrote on 28 November, - Permalink. John Oakley wrote on 15 October, - Permalink.